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Volume 48 1/2 is at the printers and will be in the mail shortly.

Abstracts for the newest issue are available here

Volume 47.2 (Fall 2020) is in the mail.

A special issue on Harriet Martineau, edited by Deborah A. Logan

Nineteenth-Century Prose 46.1 forthcoming (Spring 2019): Dickens’ Nonfiction Prose.

Guest editors: Laurence W. Mazzeno & Chris Louttit

Nineteenth-Century Prose 45.2 has been published


Special Issue: Victorian Critics

John Ruskin
Painting of John Ruskin by John Everett Millais.

Nineteenth-Century Prose’s 43rd volume Victorian Critics  reinvigorates the tradition of studying Victorian critics, reviewing them not only for their scholarly prowess but also as indicators of the Victorian cultural milieu. Guest Editor Laurence W. Mazzeno introduces an array of critic critiques, including pieces on Matthew Arnold and social justice, John Churton Collins and punditry, and George Eliot and ‘silly novels.’

For our archived issues, click here.

For information on submitting to Nineteenth-Century Prose, review our guidelines here.

Explore Our Fall 2015 Issue

PC: Molly Maulleigh (via Flickr)

Margaret Fuller (PC: Molly Maulleigh via Flickr)

Nineteenth Century Prose is proud to unveil the second installment in its 42nd volume, our Fall 2015 publication. This issue features essays on Margaret Fuller, women’s rights activist and transcendentalist, along with an array of exquisite articles centered on the long nineteenth century.

Explore the issue here.

For information on how to submit to Nineteenth Century Prose, go here.


Volume 42.1 (Spring 2015) available

The Spring 2015 issue of Nineteenth-Century Prose is now available:  Volume 42.1 (Spring 2015)

For details on the 2014 double issue: Volume 41.1&2 (Spring/ Fall 2014)

Submission Guidelines

Looking to submit? Please read the new Submission Guidelines!

Volume 39 Articles and Abstracts now up

Available here!!!

Make sure to check it out!

New Articles and Abstracts Posted

Volume 40, Number 2 – Fall 2013

Robert N. Hudspeth, “The Collected Works of Ralph Waldo Emerson” / 1

T. S. McMillin, “The Discipline of Abandonment: Emersonian Properties of Transdisciplinarity & the Nature of Method” / 105

Sara Atwood, “Black Devil and Gentle Cloud: Ruskin and Emerson at Odds” / 129

David M. Robinson, “Emerson, Modern Literature, and the Question of Goethe” / 163

John Ronan, “Self-Reliance in Emerson’s Sermons and Essays: First Series” / 181

Saundra Morris, “Whim Upon the Lintel: Emerson’s Poetry and a Politically Ethical Aesthetic” / 189

Harold Schweizer, “Are We Not Beautiful” / 217

David LaRocca, “In the Place of Mourning: Questioning the Privations of the Private” / 227

Volume 40, Number 1-Spring 2013

Erika Behrisch Elce, “‘A tribute of respect to the dead’: Narrative Containment and Focal Substitution in Leopold McClintock’s The Voyage of the ‘Fox’” / 1

Daniel R. Mangiavellano, “De Quincey, Coleridge, and the Literary Model of Habit” / 27

Jason Richards, “Emerson and the Gothic” / 61

Randall Conrad, “Road to the Golden Age: Thoreau’s Old Carlisle Road” / 91

Claire Charlotte McKechnie, “Man’s Best Fiend: Evolution, Rabies, and the Gothic Dog” / 115

John Paul M. Kanwit, “‘My name is the right one’: Lady Elizabeth (Rigby) Eastlake’s Professional Art Criticism” / 141

Ashley Faulkner, “Virgin and Child with John: Ruskin’s Typical Romance” / 173

Jamie Horrocks, “Vernon Lee, Oscar Wilde, and the Dialogue of ‘New Aesthetics’” / 201